
The Microscope Wore Gold
An eighteenth-century scientific instrument that refuses the separation of beauty and usefulness.
Ceramics, tools, sculpture, design and objects that demand to be handled by the imagination.
ALL SEVEN WORLDS

An eighteenth-century scientific instrument that refuses the separation of beauty and usefulness.
Thirteenth-century Kashan pottery makes an argument for looking twice.

An Ecuadorian ceramic vessel shaped like a seated man.
A Japanese lacquer object that turns performance into portable decoration.

A brass sundial asks whether measurement has to feel mechanical.

Maker unknown · 6th–13th century



Yamada Jōkasai (attributed) · 19th century

