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1001 — AN INDEPENDENT ART PUBLICATIONLIBERTY OF ART. ART OF LIBERTY.EDITION 01 / THE OPEN JOURNAL
OBJECT DISPATCH / The Image Maker

The Bat with a Face

Bhawani Das painted a fruit bat without shrinking its strangeness.

A bat hangs before us with a face that seems to know we are staring.

01 / 02

A precise surprise

The painting is titled Great Indian Fruit Bat. It was made around 1777–82 by Bhawani Das in Calcutta, in pencil, ink and opaque watercolour. The animal is rendered without the sentimental habits of an illustrated children's book.

The creature commands the page. Its body is both anatomically curious and intensely present. Nothing about it asks to be cute.

02 / 02

Who is watching whom?

Natural-history images often promise detached observation. This one makes observation feel reciprocal. The bat remains a bat, but the stare refuses to become a specimen label.

The achievement is not that the artist humanised an animal. It is that he allowed an unfamiliar life to occupy the centre of the picture without apology.

Great Indian Fruit Bat, c. 1777–82. The Metropolitan Museum of Art. Public-domain open access image.
THE OBJECT / PRIMARY SOURCE

Great Indian Fruit Bat

Bhawani Das · c. 1777–82
Pencil, ink and watercolour on paper · India / Calcutta
The Metropolitan Museum of Art

Interpretive writing by the 1001 Editorial Desk. No interviews or original field reporting are claimed for this edition.
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